10 Cover Songs That May be Better Than the Original

10. I Will Survive

covered by Cake

originally by Gloria Gaynor

Somehow, California alternative rock band, Cake does an interesting cover of the popular disco song. I guess they're both just trying to be optimisitic

9. The Man Who Sold The World

covered by Nirvana

originally by David Bowie

This cover is wonderful, I'm assuming Kurt was such a Bowie fan that he had to cover it during Nirvana's famous Unplugged session. I'm not certain exactly what version of Bowie's is the original since at one point in the 90's he redid it again and made it sound really creepy. I like the folksy undertone of the lyrics and obviously the guitar solo. This may have been biased but I really believe this is one of the best covers out there.

8.Flagpole Sitta

covered by Chiodos

originally by Harvey Danger

I like when the artist doing the cover brings in their own style into the song but still give it a feel of the original. Chiodos covered the song on "Punk Goes Pop", which is full of other interesting covers if you're into punk rock. Originally, Flagpole Sitta was popular somewhere in the late 90's and Weird Al Yankovic actually incorporated the chorus into one of this Polkas.

65daysofstatic - We Were Exploding Anyway

65daysofstatic are an interesting mix of IDM, and electronic with post-rock from Sheffield, UK. It's pretty hard to put a definite tag on what their music is, it's very experimental and flows around a from beat and electronic orientations to churning guitars with some intense riffs.

As of April 19th, they are streaming their newest album We Were Exploding Anyway, to be released April 26, on their myspace page. So, I had the pleasure of listening to the whole thing, for free! Overall it's a really upbeat album, full of really glitchy aspects. It's like post-rock you can dance to. Highlights of the album are definitely Dance Dance Dance that rises slowly, and by a minute in it's just a heavy tribal beat with blaring electronics that develop perfectly, spinning you in a circle. It's surely my favorite track.

Their singles, Weak4 and Crash Tactics, are alright as well since they do more of the style blending, and have a post-rock with IDM feel. The last song on the album, Tiger Girl, reminds me almost of a rave song that builds in intensity over several minutes and feels really emotional. I recommend listening to the stream and if you dig it, buy the album!

Man Man

With Man Man hailing from Philadelphia, Pennsylvania , it's difficult to know where to start, as with their music. It's literally insane, but so unique you have to hear something by them. Their style is described as somewhere between evil circus music and gypsy jazz. It's loud, it's got ridiculous percussion, and all of the members have fun pseudonyms.

Give it a listen:

Their style started off in Man In a Blue Turban With a Face being really out there, with lots of eastern European influence and quite experimental. They moved to Six Demon Bag, arguably their best with a very frantic pace that jumps all over the place. It's full of screaming and intense passages followed by very fluid verses. Finally, to a more accessible Rabbit Habits that is clearly more produced but none the less, great. It refines their style of gypsy madness with some smooth jazziness at the same time.

Start with The Ballad of Butter Beans on Rabbit Habits for a good example of their overall style. It's got a face pace with xylophones, their characteristic vocal style and solid percussion.

Portugal. The Man - American Ghetto

photo via portugal the man myspace

I've listened to these guys for a few years now and they continue to develop beyond my expectations. Their style has such a huge range, I believe everyone would like at least one of their albums. Those that dive into experimental rock with lots of samples would be drawn to albums such as Waiter: "You Vultures!" and It's Complicated Being a Wizard. To get some spacey, but down to earth at the same time, listen to Censored Colors. And for just really colorful experimental rock and roll, Church Mouth and The Satanic Satanist. Their EPs have a strange feeling of falling somewhere right between all of those moods and I'm a really big fan of The Pines and The Devil.

Anyways, as of March 2010, Portugal. The Man has started a sort of prerelease sale for their newest album, American Ghetto. You buy the actual album which is released sometime in May on CD and Vinyl. But in that purchase, you get the option to download the album in several formats, most notably FLAC, my favorite, and some high quality 320kbs MP3s.

Past fans may have a little trouble adopting this album, but after a few play throughs everything clicks and is awesome. American Ghetto goes towards a sample and really riff driven sound, and keeps that twangy rock n' roll sound somehow with some playful solos. I'm just going to highlight on my favorite song of the album, When The War ends. It slips away from the nature of the rest of the album and blasts off to a really distant mood, but once the lyrics come in, it becomes very joyful. Somehow, they managed to put in such a unique song but over all it feels right in place with the rest of the album right at the end, summing everything up.

Other tracks to enjoy: The Dead Dog and 60 Years. Don't forget, John Gourley's lyrics still are insane and are composed of some kind of elaborate metaphors that could only be thought up in Wasilla, Alaska.

King Tut

Passing through a bunch of styles and hooking them together into an insane meld of music that surpases any expectation you have for music. Animal Collective, except alot more lo-fi, and recorded in a bedroom or some place very cozy like home. King Tut had a run in with thesixtyone a while back, but now that the initial wave has died down I decided I'd post something from them.

Their tunes have a happy flow that jumps from folk inspired guitars to experimental electronics. Also, their lyrics blew my mind with bits like:

"the mothership is comming down

see right there it's landing now

don't run away, don't run away

we gotta represent the humans

if they blast us all to hell

then atleast we can go to hell

together, together "

song : Mothership

This song is really spacey, and happy. It has a regal sound to it, like they're using really old instruments, backed by a banjo or something else earthy. Enjoy the video:

Hauschka

Prepared instruments are weird, but I like experimental stuff that keeps some format. So tonight, some prepared instrumentation. I decided to use Hauschka, a German pianist, since I picked up an EP or LP of his a few months ago, it's really relaxing piano based stuff, with a very contemporary feel. He builds songs that appear to be simple, yet develop into complex compositions that make new possibly limitless boundaries of the piano.

Hauschka uses what looks like some paint stirrers to add an unexpected result. It's another variable in the experience. The other worldly sounds that just some extra wood on the strings makes the music so much more captivating. Enjoy: